Ingmar Bergman is still the doyen of cinema. He is known for masterpieces of controlled human emotion, exploring every facet of the personality in relentless detail. He wrote: "I had the possibility of corresponding with the world around me in a language that is literally spoken from soul to soul."

These two screenplays, liberally illustrated with production stills featuring actors, including his favourite actress, ex wife, Liv Ullman, are classics of the screen. They will be sought after by film students, and lovers of his films, New interest in Bergman is being generated by the recent release of Faithless, Liv Ullman's 2001 masterpiece, with a screenplay by Bergman.

Born in Sweden in 1918, Ingmar Bergman is still contributing to his canon of work.

When a film is not a document, it is a dream...At the editing table, when I run the strip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood." Bergman, who has conveyed this heady sense of wonder and vision to moviegoers for decades, traces his lifelong love affair with film in his breathtakingly visual autobiography, "The Magic Lantern". More grand mosaic than linear account, Bergman's vignettes trace his life from a rural Swedish childhood through his work in theater to Hollywood's golden age, and a tumultuous romantic history that includes five wives and more than a few mistresses. Throughout, Bergman recounts his life in a series of deeply personal flashbacks that document some of the most important moments in twentieth-century filmmaking as well as the private obsessions of the man behind them. Ambitious in scope yet sensitively wrought, "The Magic Lantern" is a window to the mind of one of our era's great geniuses.

'There is no shame in deriving pleasure from this little world.' Siblings Fanny and Alexander are growing up amidst the gilded romance and glamour of 1900s Sweden. But their world is turned upside down when their widowed mother remarries the iron-willed local bishop. As creative freedom and rigid orthodoxy clash, a war ensues between imagination and austerity in this magical study of childhood, family and love. Legendary film-maker Ingmar Bergman's 1982 masterpiece Fanny & Alexander was adapted for the stage by Stephen Beresford. It premiered at The Old Vic, London, in 2018, in a production starring Penelope Wilton and directed by Old Vic Associate Director Max Webster. Stephen Beresford is the BAFTA award-winning screenwriter of Pride. His other plays include The Last of the Haussmans, which premiered at the National Theatre.

Scripted by Ingmar Bergman and directed by Gustaf Molander, this drama is set in neutral Sweden during the Second World War. Bo (Birger Malmsten) is a sailor recently returned from the Navy who starts courting Eva (Eva Stiberg), despite his reawakened feelings of guilt about a childhood accident in which he was responsible for a young girl's death. Although they become happily married, and Eva becomes pregnant, Bo is still plagued by nightmares and guilt, including a dream that he is about to brutally murder his best friend. When Eva is about to give birth, Bo's fear that he will be responsible for another death sends him back to the high seas.

Marking Ingmar Bergman's debut as screenwriter and directed by Alf Sjöberg, this expressionistic crime of passion revolves around a young student, Jan-Erik (Alf Kjellin), his sadistic Latin teacher, nicknamed 'Caligula' (Stig Järrel), and a newsagent assistant-cum-prostitute, Bertha (Mai Zetterling). When Jan-Erik assists the drunken Bertha, he becomes her lover. Bertha is, however, terrified of another man, whom it becomes clear is terrorising her. When Jan-Erik finds Bertha dead, he accuses Caligula of being responsible. The themes of creaticity, mentors and oppressive authority, which would become Bergman's trademarks, are staked out in this semi-autobiographical work.

The first novel in world renowned film-maker, Ingmar Bergman's trilogy of novels plotting the fractious marriage of his parents In 1909, Ingmar Bergman's mother and father first meet. Anna is a nurse from a wealthy family; Henrik, a poor, trainee priest living with his lover. From the intensity of their courtship, to the difficult early years of their marriage, Bergman fictionalises his parent's life before his birth, drawing the quiet, emotional sensitivity of his film-maker's eye deep into the heart of his own family. The Best Intentions is the first in renowned film-maker Ingmar Bergman's loose trilogy of novels that plots the fractious marriage of his parents, continued in Sunday's Children and Private Confessions.

The final novel in world renowned film-maker, Ingmar Bergman's trilogy of novels plotting the fractious marriage of his parents Twelve years of marriage, three children, a husband, Henrik, with whom she no longer finds anything in common: Anna is at the end of her tether. Besides, she's in love - with Henrik's friend Tomas, a student-priest, who is everything her husband is not. Based upon film-maker, Ingmar Bergman's own family life, Personal Confessions is the final part in Bergman's loose trilogy of books that started with The Best Intentions and Sunday's Children.

The second novel in world renowned film-maker, Ingmar Bergman's trilogy of novels plotting the fractious marriage of his parents Over the course of one summer, eight-year-old Pu Bergman makes the terrible realisation that his father and mother are no longer in love. Surrounded by the quiet idyll of the Swedish countryside, with its ponds, its rivers and woods, the daily chaos of the family's ramshackle summer home threatens to bring to a close the bright, brilliant haze of Pu's childhood world. Based upon film-maker Ingmar Bergman's own family life, Sunday's Children is the second part in Bergman's loose trilogy of books that started with The Best Intentions, and closes with Private Confessions.